Link to Prezi: O
Monday, 30 January 2017
Sunday, 29 January 2017
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Ownership and Profile
Ownership:
Cherry Bomb magazine is owned by Time Inc. Time Inc. was founded in New York
in 1922, and now owns and publishes over 100 magazines including InStyle,
People, and NME. It has a revenue of $3.1 billion and a net income of $881 million.
It's web address is http://timeinc.com/.
Cherry Bomb Magazine Profile:
Readership: 860,000
ABC2 Profile: 83%
Median Age: 19
Source: ABC September - December 2016 / NRS January - May 2017
Editorial Pillars:
Music, Art, Fashion
Reader Profile:
A Cherry Bomb reader is a woman between the ages of 17 and 21. She is likely to
be in further education and is earning casual money to supplement her
commodities - music, fashion, beauty items. The reader has an extendable income.
The reader see's no sin in loving mainstream culture however she has broad (some-
times hipster) interests, she is interested in art and the way things look, therefore is
attracted to musicians with an interesting sense of style. She sees herself as an
individual and Cherry Bomb is a leader, not a follower of fashion.
times hipster) interests, she is interested in art and the way things look, therefore is
attracted to musicians with an interesting sense of style. She sees herself as an
individual and Cherry Bomb is a leader, not a follower of fashion.
Source: http://timeinc.com/cherry-bomb/ownership-and-profile/
Saturday, 28 January 2017
Why Would One Company Wish to Own So Many Magazines?
In this post I am going to explain the reasons why a company would desire to own a range of magazines.
The first reason is increased market share. This means that the company will have more dominance over a certain topic and be able to influence a larger audience from a range of hubs. An example of a parent company whom illustrate this point are Condé Nast, an American mass media boasting of over 165 million consumers. The coorporation owns 20 magazines: Allure, Architectural Digest, Ars Technica, Bon Appétit, Brides, Condé Nast Traveler, Epicurious, Glamour, Golf Digest, GQ, The New Yorker, Pitchfork, Self, Teen Vogue, Vanity Fair, Vogue, W, Wired, Reddit and Backchannel. Of its 13 UK magazines, five are dedicate solely to fashion and they all appeal to the same kind of style. These magazines are Vogue, Tatler, Brides, CQ Style, and Vanity Fair.
The reason why I say Condé Nast is an example of increased market share, is that all their fashion magazines appeal to a similar audience who value a minimal and sophisticate style, thus Condé Nast is able to spread their fashion beliefs over Great Britain from a range of outlets. For British people because this style is being preached to us from a range of angles, it seems like this is the mainstream and in-trend style, when in actual fact it is just a style provoked by one company.
The next reason why one company may desire to own a lot of magazines is because it allows them to provide a variety of genres or topics to attract a wider audience. If we take the Bauer Media Group as an example, they create three different UK-based music magazines: Mojo, Q, and Kerrang(!).
All three magazines are based around non-popular music, out of the mainstream to attract a hipster audience. The founders of Q said that their magazine is for the "generation of older music buyers", who presumebly are not as fond of contempary pop that youths and young adults jam to, today. Mojo magazine is said to "cater for the burgeoning interest in classic rock music", which proves that this magazine also does not conform to mainstream society and the musical trends of millennials. Kerrang! brags of being "the world's biggest-selling weekly rock magazine!" showing that once again, it doesn't provide pop.
What all this means is that the Bauer Media Group manage to cater for most music enthusiasts who don't listen to conventionally pop music and this benefits them because Kerrang is able to advertise Mojo to it's alternative audience, Mojo is able to advertise Q, and Q is able to advertise Kerrang, ultimately meaning that Bauer dominates the non-pop music genre of magazines making it difficult for any other, smaller magazine to steal it's audience.
This ties in with my final point, which is smaller magazine companies will find it harder to compete with bigger magazines which benefit large organisations. An example of two magazines which provide similar content but vary a lot in popularity is Smithsonian and the National Geographic.
The first reason is increased market share. This means that the company will have more dominance over a certain topic and be able to influence a larger audience from a range of hubs. An example of a parent company whom illustrate this point are Condé Nast, an American mass media boasting of over 165 million consumers. The coorporation owns 20 magazines: Allure, Architectural Digest, Ars Technica, Bon Appétit, Brides, Condé Nast Traveler, Epicurious, Glamour, Golf Digest, GQ, The New Yorker, Pitchfork, Self, Teen Vogue, Vanity Fair, Vogue, W, Wired, Reddit and Backchannel. Of its 13 UK magazines, five are dedicate solely to fashion and they all appeal to the same kind of style. These magazines are Vogue, Tatler, Brides, CQ Style, and Vanity Fair.
The next reason why one company may desire to own a lot of magazines is because it allows them to provide a variety of genres or topics to attract a wider audience. If we take the Bauer Media Group as an example, they create three different UK-based music magazines: Mojo, Q, and Kerrang(!).
All three magazines are based around non-popular music, out of the mainstream to attract a hipster audience. The founders of Q said that their magazine is for the "generation of older music buyers", who presumebly are not as fond of contempary pop that youths and young adults jam to, today. Mojo magazine is said to "cater for the burgeoning interest in classic rock music", which proves that this magazine also does not conform to mainstream society and the musical trends of millennials. Kerrang! brags of being "the world's biggest-selling weekly rock magazine!" showing that once again, it doesn't provide pop.
What all this means is that the Bauer Media Group manage to cater for most music enthusiasts who don't listen to conventionally pop music and this benefits them because Kerrang is able to advertise Mojo to it's alternative audience, Mojo is able to advertise Q, and Q is able to advertise Kerrang, ultimately meaning that Bauer dominates the non-pop music genre of magazines making it difficult for any other, smaller magazine to steal it's audience.
This ties in with my final point, which is smaller magazine companies will find it harder to compete with bigger magazines which benefit large organisations. An example of two magazines which provide similar content but vary a lot in popularity is Smithsonian and the National Geographic.
Smithsonian's total circulation is 1,840,077, whereas National Geographic's circulation is 6.1 million. The National Geographic is so popular and well-known for creating amazing travel and culture content that consumers do not feel the need to research into smaller magazine brands which are alike to the National Geographic, because they have the reassurance of the National Geographic's popularity.
Friday, 27 January 2017
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The other two designs are just simple and abstract designs which would allow me to do a decent amount of testing various colour schemes.
The name of my magazine will be Cherry Bomb as this is urban and sort of has an unknown connotation and meaning which makes it interesting to me. The typefact of the masterhead will either be an elegant and roman font or a soft and round font like futura or gill sans. If I opt for the roman font then the bomb will be italic so it looks like "Cherry Bomb". The colour of the masterhead will change per edition. These are my examples:


What is succesful about the bottom left one is that it looks chic because of the repetition of the cherry pink colour from picture to font, what is not succesful is that the coverlines don't sieze the reader's attention.
Production Log
Click on boxes to be referred to referenced posts
Wednesday, 18 January 2017
Colours in Magazines
Task 1:
This magazine has five main colours, pink, blue, white, black and yellow. Of these four, pink and blue are the most attention grabbing colours. Pink can be connotated with lipstick, flowers and femininity, and the shade of pink that Dolly magazine has used is bubblegum pink so there’s also the resemblance to bubble gum. Blue can be connotated with the ocean and sky, sapphires and various birds. I reckon that Dolly's target audience are young, impressionable, teens. The shades of blue and pink are very light and sweet like confectionary so I think the hues appeal to the audience as they resemble gummy bears and sweets like that, which teenagers and children have a tendency to like.
The main colours on this cover is black, red, and white. Black is connotated with dangerous things like death and smoke. Paradoxly, white is connotated with pure things like heaven, clouds, and light. When black and white are put together they create a classy facade and they look minimal and sophisticated yet stylish, however I think this magazine is playing with that concept. Avril Lavigne's makeup and clothing is messy and gothic so it doesn't particularly seem classy to me. Then, they add red which is connotated with risky and dangerous things, as well as sexual things. Red is seen as risky because of driving-danger signs and fire, but it also seen as sexy because of lipstick and lingerie. Normally when magazines have a red-white-black theme, they are using the lustful representation of red however here I think they are using both implications. The red seems sort of risky because of Lavigne's edgy eyeshadow and bralet, but it also seems sexy because words like "sex", "balls", and "bad girl" are highlighted in red, and these are words with provocative connotations.
The main colours in this cover are black, blue, pink, white, and flesh (if that is a colour…). Apart from black, all the colours are pastel shades and light hues can be connotated with spring, sweets and flowers, and so I think the main cover image can be perceived as fruity and fresh. As I mentioned when analysing the previous cover, black is connotated with dangerous things but I think that because W has used such an elegant, chic, and vintage font and also because there are so many other light and soft colours, here the black doesn't seem dangerous and instead it just seems classic or modish.
Task 2:

The main colours on this cover is black, red, and white. Black is connotated with dangerous things like death and smoke. Paradoxly, white is connotated with pure things like heaven, clouds, and light. When black and white are put together they create a classy facade and they look minimal and sophisticated yet stylish, however I think this magazine is playing with that concept. Avril Lavigne's makeup and clothing is messy and gothic so it doesn't particularly seem classy to me. Then, they add red which is connotated with risky and dangerous things, as well as sexual things. Red is seen as risky because of driving-danger signs and fire, but it also seen as sexy because of lipstick and lingerie. Normally when magazines have a red-white-black theme, they are using the lustful representation of red however here I think they are using both implications. The red seems sort of risky because of Lavigne's edgy eyeshadow and bralet, but it also seems sexy because words like "sex", "balls", and "bad girl" are highlighted in red, and these are words with provocative connotations.
The main colours in this cover are black, blue, pink, white, and flesh (if that is a colour…). Apart from black, all the colours are pastel shades and light hues can be connotated with spring, sweets and flowers, and so I think the main cover image can be perceived as fruity and fresh. As I mentioned when analysing the previous cover, black is connotated with dangerous things but I think that because W has used such an elegant, chic, and vintage font and also because there are so many other light and soft colours, here the black doesn't seem dangerous and instead it just seems classic or modish.
If I was to produce a cover for an indie-rock themed magazine this would be my colour palette. I've chosen them because I've seen many indie and grunge fashion and musical icons supporting these colours, such as popular Instagram and web blogger Le-Happy who has been supporting red hair for a matter of years or the popular yellow smiley-face emblem for the band, Nirvana. My favourite thing surrounding grunge style is that bold and bright colours are taken and dulled down so that they don't grab lots of attention yet easily compliment each other, so when making this palette I chose a vibrant red, yellow, and green, and then kept darkening the original colour. I have chosen a charcoal shade appose to black which is the pinnacle dark colour because although black is technically the absence of colour, I think that it's still to bold and captivating and I wanted something mellow.
I designed this cover based around this colour palette. I chose to make the background charcoal because this will make the other colours seem bright and pop off, whilst still allowing them to look mellow. I made the tagline and issue date reds because red accompanies yellow better than green. I chose to make the masterhead yellow because it's the brightest and happiest colour, so it refines the cover from looking obsessively dull and gothic. I made the coverlines green as they were the final colours in my palette to use.
This colour scheme was prompted by a fashion and beauty magazine for women, with emphasis moreso on beauty than fashion. I chose a range of pink tones because pink is stereotypically the colour favoured by women and also pink is a common colour for makeup with pink blushes and lipsticks being very common.
This is another cover I designed based off this palette: Because the shades are monochromatic, my choices were unplanned and more so experimental.
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